Paint Lab: 52 Exercises inspired by Artists, Materials, Time, Place, and Method (Lab Series)

Fig. four covering Fluid overlaying fluid medium is a cloth most sensible used with watercolor or gouache paints. it really is composed of latex rubber, and it lets you freeze a second of time on your portray because the fluid preserves your colour and resists additive paint. in addition to transparent overlaying fluid there's coloured overlaying fluid, which lets you see the place you put it. This fabric will spoil the softness of a broom, so designate brushes to just be used for protecting fluid. 2. as soon as the fluid is dry to touch, start along with your layers of watercolor or gouache paint (fig.

You could receive it in a number of textures from tremendous grain (pictured) to very chunky and gritty. one other nice characteristic of this fabric is that as a result of its thickness, you could embed marks into the preliminary layer because it is going down. it's also possible to tint the pumice floor with a colour earlier than making use of if you happen to do not need a grey floor. WHat: ExPL o r ing Yo u r M Ed ia 040-069_30625. indd forty five 040-069_30625. indd forty five (Text) (Ray) (Fogra 29_WF)Job:05-30625 Title:RP-Paint Lab #175 Dtp:225 Page:45 forty five 5/31/13 2:33 PM 5/31/13 2:25 PM LAB thirteen Featured Artist — Michael Lazarus: past the Canvas Michael Lazarus is a painter dependent in Portland, Oregon, who creates bright evocative work put upon reduce wood kinds that he constructs himself.

Take It extra Fig. three Layering the geometric types with crackle paste conveys a buried fossil-like visual appeal. you may additionally college paper kinds or written phrases underneath the layer of crackle paste. This fabric will be very fascinating layered over a kind encouraged by means of Fibonacci in Lab eight. WHat: ExPL o r ing Yo u r M Ed ia 040-069_30625. indd fifty seven 040-069_30625. indd fifty seven (Text) (Ray) (Fogra 29_WF)Job:05-30625 Title:RP-Paint Lab #175 Dtp:225 Page:57 fifty seven 5/31/13 2:37 PM 5/31/13 2:25 PM LAB 19 L Drawing into portray: fiddling with Oil Sticks fabrics • oil sticks • underpainting • palette knife for scratching away (see “Lab 22”) Oils sticks are an excellent medium to include into an acrylic or oil painted floor.

The dents and nicks catch the paint fantastically. four. as soon as the teeth is bone dry, start to paint onto the outside and scan with rubbing the paint over the feel to trap all the nooks, crannies, bumps, and nicks at the floor (fig. 5). Take It additional try out making use of the steel in an inclination and curved style to create a semi-relief sculptural shape within the piece. Fig. four WHat: ExPL o r ing Yo u r M Ed ia 040-069_30625. indd sixty three 040-069_30625. indd sixty three (Text) (Ray) (Fogra 29_WF)Job:05-30625 Title:RP-Paint Lab #175 Dtp:225 Page:63 sixty three 5/31/13 2:38 PM 5/31/13 2:25 PM LAB 22 L Sgraffito: Scratching the skin fabrics This workout positive aspects one other deductive portray approach, referred to as sgraffito, this means that “scratched” in Italian.

F • 3 basic shades of any paint • pencil • canvas or watercolor paper F 1 2 “In all concerns of creativity, ideas are supposed to be damaged whilst worthwhile. ” —Haley Langford three Shaded Vines, watercolor and gouache on paper Max Beckmann Beckmann is an artist who used colors superbly to create drama and heft in his expressionistic and narrative work. eleven 6 Pai n t L ab 110-136_30625. indd 116 110-136_30625. indd 116 (Text) (Ray) (Fogra 29_WF)Job:05-30625 Title:RP-Paint Lab #175 Dtp:225 Page:116 5/31/13 3:02 PM 5/31/13 2:28 PM 110-136_306 110-136_306 1/13 3:02 PM 1/13 2:28 PM Let’s cross!